Geo Homsy

[Airicist]

linkedin.com/in/geo-homsy-4474886 (https://www.linkedin.com/in/geo-homsy-4474886)


Geo Homsy is an innovator, scientist, engineer, and technology artist with deep understanding of physics, computation, biology, and robotics. He has collaborated on more than thirty large-scale machine sculpture and technology-based artworks over a period of 23 years. He has also made original contributions in theoretical chemistry, biological computation, secure networks, and spread-spectrum data storage. Current works include biofuels research, guidance navigation and control for aerospace applications, and teaching introductory electronics to artists. Geo holds a PhD in Electrical Engineering and Computer Science from MIT.

Projects:

Organograph (https://pr.ai/showthread.php?4011)

[Airicist]

https://vimeo.com/71576625

Chrysalis
August 2, 2013


Chrysalis, is a live interactive environment and the most recent of a series of Inflatable Architectures by Chico MacMurtrie / Amorphic Robot Works.
Chrysalis is composed of 100 interconnecting high tensile fabric tubes that form, when fully inflated, a 12 meter long, 8 meter wide and 5 meter high architectural space, evocative of crystal formations. The tubes are networked into 16 live sections and animated by compressed air via a servo controlled computer system. As the air is released out of the fabric, Chrysalis gently collapses into an organic shape.
Each of these networks can be selectively animated by the spectator’s motion, which is constantly monitored by the integrated Vision system.
Inspired by the architecture of the human body on a molecular level, Chrysalis provides a direct, visceral experience of the minute geometric constructions that underlie all of life.
The interactive component conceptually introduces the viewer as an agent whose presence changes the sculpture’s individual geometry, similar to a protein structure evolving into a different conformation as a direct response to a molecule entering its space.
Chrysalis resonates with audience on different levels. Several cameras record data in specific areas to collect and analyze different types of movement, their velocity and direction. This data is injected into the memory of the machine creating a new set of parameters and language for its own performance.
As a visitor is approaching, Chrysalis responds by opening one or a combination of several sections or by creating a portal that invites him or her inside.
Chrysalis functions also as a temporary architecture that performs independently from audience interaction by drawing from previously recorded software sequences. These sequences regulate the amount of air flowing in and out of the fabric tubes and creating a muscle and bone dynamic capable of expanding and retracting, lifting and lowering, as well as collapsing movements.
In its transition from an organic to a geometric state, Chrysalis can be ultimately appreciated from inside of the sculpture. The magnitude of the sculpture in relation to the size of the human body engages the audience in a transformative experience as they face and interact with their own biology on an inverted scale. Chrysalis’ with its ever changing geometry is a manifestation of the hidden organic life that inspires and informs all Man made systems.