Reply With Quote
KIIA
September 28, 2009
Animated robotic nature.
The music are made of cicada sounds.
a Forest within a Forest
July 23, 2010
A guide named Nashi narrates the audience journey in an uncanny forest. Nashi states that everything is animated, and that even the things we consider synthetic and artificial are as sacred as plants and stones. She criticizes nature for its inability to develop and praises technology for its flexibility and proclaims that nature should adapt to technology in order to survive.
AUJIK are an new age group that shares Shintos belief that everything of nature is animated, even the things that we consider the most artificial and synthetic.
Just as with other forms of animism, AUJIK worships everything that comes out of nature and regard it as spiritual beings, the main difference with AUJIK is that science and technology is considered as sacred as stones and trees.
Melvin Lavell writes in his books Esoteric Perception of Artificial Intelligence and Ghost in the machine of sticks and stones that all sort of communicative technology since the first radio waves posses something metaphysical and spiritual and when it will reach a more sophisticated form more people will discover it and then it will reach a religious status.
The Shinto priest Hideaki spoke about similar things in the 1800:th century after he had seen a Karakuri doll( a clockwork robot made of wood) and claimed that in the future we will create mechanical characters that will become so superior to our own intelligence and ability's that we will subject oneself s as they were gods.
These thought was the fundament for AUJIKS doctrine and then later developed in to something that reminds of theological dualism were the original nature (trees, metals, organism etc)is considered esoteric chaos and the refined nature(computers, robots, DNA-manipulation etc) is considered esoteric order.
The resistance between those has during the years decreased and will one day converge in a pyramid shaped top that will fill the world with clarity and supreme truth.
By creating organic/synthetic artifacts AUJIK believe they will reach this level a lot faster than it is destined.
Music:
Mira Calix - Hiccup from the album Skimskitta.
Written and produced by Mira Calix.
©Warp music 2000.
'a Forest within a Forest' was part of Japan Media Arts Festival 2010(jury recommended work) and exhibited at Japan National Art Center, Tokyo 2011.
Also part of Ars Electronica Animation Festival 2011/2012 at Austrian Cultural Forum London
National Science Museum in Jemen. New Codes */ Athens Video Art Festival 2012. Perm/Russland at the Permm Museum. Mediathek Holon, Israel. World Music Festivals Dikaja Mjata. OHMI Trust at CBSO Centre in Berkley Street Birmingham. Le Cube Paris / Screening Marathon. Second Tehran Annual Digital Art Exhibition @ Mohsen Gallery, Sunset Janghang Festival, Seochon-gun, South Korea. Athens International Film Festival, Lavrion Technological and Cultural Park, Athen / Greece. Donumenta, Regensburg / Germany .CMoDA (China Millennium Monument Museum of Digital Arts) in the framework of Beijing Design Week 2012, China. Internationales Kulturfestival "Cervantino", Guanajuato, Mexico
National Maritime Museum, Greenwich)
CologneOFF international tour 2012/2013. Film form cinemateket Stockholm 2012. 58th int. film festival Oberhausen. Rotterdam int. film festival 2012. Cyberfest Saint Petersburg 2012. Digital Art Festival Taipei 2012. AND (Abandon Normal Devices)Group Exhibition. Mobile Republic: Digital Caravans. UK
Whitehaven, Cumbria. UK, Youthzone, Blackburn, Lancashire. UK, Manchester. UK, Preston, Lancashire. UK . Videomedeja 2012. Simultan - the beginnig of the end. Timisoara. Rumania. 2012.
Art exhibitions at Ask Gallery, solo exhibition, Ginza, Tokyo 2012. Red Brick warehouse, group exhibition, Yokohama 2012. Factory art Gallery, group exhibition, Berlin 2012.
Circular Confabulation
December 30, 2010
A collection of diverse artifacts gathered in the forest, each one is representing a person who participated in the 2008 Bilderberg meeting at the Westfields Marriott in Chantilly, Virginia, United States. The topic at that specific meeting was cyber terrorism. It was recorded by an anonymous security guard and then encrypted.
Christ. - Kardashev Type One
April 28, 2012
Promotion video for Christ. for the upcoming album 'Cathexis - motion picture soundtrack' on Parallax sounds records.
Most of the scenes in this video are excerpts from Cathexis.
It features several different tasks/rituals that are related to the evolutionary mimicry algorithms used in the AUJIK artifact's AI-system.
Cathexis Motion Picture Soundtrack is the fourth widely available album by ex.Benbecula Records head boy, christ. aka Chris H.
The soundtrack was made in close collaboration with award-winning Swedish/Japanese Film-maker and contemporary artist Stefan Larsson, as a perfect counterpoint and counterpart to his up-coming Digital movie release “Cathexis”
The film depicts an esoteric group of people, known as AUJIK, and their interactions with nature and technology, both of which are viewed by AUJIK as having spiritual qualities. AUJIK create and interact with artefacts consisting of unique and multifaceted Artificial Intelligences, Transcending emotional inputs to the artefacts artificial limbic systems, revealing various aspects of the artefacts minds.
This symbiosis of refined and primitive nature leads the AUJIK people to a higher awareness of the self.
Impermanence Trajectory: the limbic nest.
May 16, 2013
The following text is part of an interview with third incarnation AUJIK member Nashii by social anthropologist Aoi Miura. Translated from Japanese to English by Takenori Murano.
Aoi: Would you like to elaborate the thesis about pancomputationalism and how it is implemented in to Impermanence Trajectory: the limbic nest.
Nashii: Pancomputationalism derives from the idea of a computational universe, which means that the whole universe and all of its elementary particles are a network of a computational system and process.
Earlier AUJIK referred to this in terms of natural and unrefined computation but after German AI scientist Jurgen Schmidhuber introduced the more comprehensive view of Panacomputationalism it’s been adapted.
In this manifestation called ‘Impermanence Trajectory: the limbic nest’, this idea is explained through a sacred rock located at an ancient Yamabushi area called Ishiyama.
A rock consist of approximately ten trillion trillion atoms in a kilogram of matter, electrons scattering and bouncing back and forth making it a very vivid space with a vast computational potential.
This rock in particular was discovered by a Yamabushi monk called Gue in 971 and was mainly used for contemplation. They claimed it had huge amount of matter that the called symmetric energy. Yamabushi monks considered them self’s as an isolated cluster and by transcend with this rock they could become a more synchronised entity.
Aoi: Does AUJIK have any relations to Yamabushi?
Nashii: Some of our members ancestors were Yambushi, but other than that I don’t think so.
Anyhow, this symmetric energy they absorbed had a remarkable impact on their mind and made them more aware of nature and the periphery of nature.
Aoi: Periphery of nature?
Nashii: Yes, the non psychical and esoteric nature. Perhaps what we call dark matter.
Aoi: So this rock is basically – according to your manifestation – an intelligent, consciousness being.
Nashii: To a certain extent yes.
Aoi: And with a limbic system?
Nashii: An Artificial Limbic System(ALS). Since the rock- even though it’s psychical form remains intact - been transformed in to a computational process using quantum mechanics and schematic algorithms similar to a cellular automata.
Another aspect of the this ALS is its potential to evolve and develop its own components.
This is visualised in Impermanence Trajectory through various objects/components like the shakan/anti-amygdala, the lotus dendrites and the septum fall.
Aoi: Can you tell us something about the sound.
Nashii: It is based on the frequencies of my brain waves. By reading the electronic activities that happens in my brain with an EEG-device and then transform it in to sound or eventually music with a computer software called OIO. OIO scans all of the parallel brain waves, and by using certain algorithms it generates it in to sound. It becomes an audio map of one’s brain activates.
AUJIK are constructed as an esoteric sect who believes in animism and worships nature.
They divide nature in to:
Refined:
robotics
artificial intelligence
nano technology
dna manipulation
augemented reality
body enhancements
carbon nano tubes
synthetic photosynthesis
Primitive:
trees
plants
soil
organism
stones
metals
minerals
foliage
AUJIK states that:
The refine nature originates from the primitive and vice versa.
That refine nature is order and primitive nature is chaos.
That the resistance between them will decrease until they converge in to a state of supreme clarity.
In order to reach this state AUJIK project sacred artefacts that are a crossbreed of organic and synthetic entity.
The following manifestations illustrates how they interact with their artefacts.
Each artefacts consists of an unique and multifaceted Artificial Intelligence (AI).
By transcending emotional inputs to the artefacts artificial limbic system the AUJIK members can reveal various areas and aspects of the artefacts minds.
Examples are the artefacts self-image, consciousness, sub-consciousness, gender, affects and spirituality.
This symbiosis also leads the AUJIK members to a higher awareness of the self.
Excerpt from 'Impermanence trajectory: stained seed'
January 15, 2014
Japanese AUJIK presents it's latest manifestation that deals with Artificial General Intelligence and complex dialectical sentiment systems.
Music specially composed by Mira Calix featuring cellist Oliver Coates.
About:
AUJIK's visual manifestation 'impermanence trajectory: stained seed' is based upon the idea of Computational Dialectics via Complex Sentiment Systems.
By using dialectical values that is the concept and phenomena expressed in terms of con?ict, contradiction, opposite, di?erence, etc. In thought, nature, and society it is the motive force both of nature and of human endeavor, leading to a further trajectory of development.
It consists of two subjects: agent X and agent Y. Each subject is exposed to eight different emotional inputs that determine a value. Values are also influenced by four different forces. These forces either combine or divide the emotional values, rendering random outcomes depending on their previous state, their environment, and the state of the other agent.
The trajectory starts with an initial state where the two agents plant a seed each. The seed grows according to the emotional states of the agent and the impact of the forces.
During the evolution of the seed, the tree – which represents the object – also changes its form and gradually blossoms before it collapses due to a self-inflicted virus.
The virus generates a portal system - through the tress core - that implicates yet another realm of emotions and consciousness that will allow them to reanimate the process again and adjust it. Optimizing the cognitive and emotional parameters to sufficiency.
The agents’ emotional states are visualized by their heads, which are symmetric and reminiscent of a Rorschach test.
Their values and force impact can be seen at the lower sides of the picture.
The agents themselves can be described as variables and algorithms as used in computer code for developing Artificial General Intelligence.
By applying their emotional states to a dialectical format (thesis, anti-thesis & synthesis), they aim to improve their emotional outcomes and refining in to an impermanence perfection.
Artificial General Intelligence and computational dialectical emotional systems.
Inspired by the article 'Computational Dialectics for Arguing Agents' by professor Hajime Sawamura at Niigata University.
About Mira Calix:
Mira Calix is the stage name of Chantal Passamonte, a British based artist signed to Warp Records. Although her earlier music is almost exclusively electronic, in recent years she has incorporated classical instrumentation into her work for performance, recording and installations.
warp.net/records/mira-calix
en.wikipedia.org/wiki/Mira_Calix
miracalix.com/
Filmed in Shiga, Japan 2013. Premiere 1/15/2014 by Dazed & Confused magazine:
dazeddigital.com/artsandculture/article/18396/1/impermanence-trajectory-stained-seed
tree tracking project_test #1
Published on Jan 24, 2014
Purpose with this project is to achieve some rather complex motion tracking scenes and building extensions of the tress in various forms. Also to only use HDR-maps as light sources that are shot at the filming locations.
Very low rendering settings in Vray makes the shaders flickering and shitty. no UVW mapping either.
Published on Feb 10, 2014
Rendering with brand new Vray 3.0 in 3D's Max 2014. Vray hair in second scene. Low settings - using IR and brute force as second engine - causing some nasty flickering with displacements maps. Will use particles for snow further on. Merlin steadicam and 8 mm Sigma wide angle lens. classic evergreen by autechre.
Posting Permissions
Социальные закладки