"D13", sci-fi short film
Written and directed by Matthew Wangala
Jul 16, 2015
A story of a boy and his robot; no more no less
A story of a boy and his robot; no more no less
Credits
Done by 2veinte, Argentina
Director: Pablo Gostanian
Art Director: Pablo Gostanian
Animation Directors: Pablo Gostanian & Juan Pablo Sciaccaluga
Excecutive Producer: Agustin Valcarenghi
Camera: Juan Pablo Sciaccaluga
Mon-star Animation: Juan Pablo Sciaccaluga
Additional Mon-Star Animation: Xeppepo (Jorge Herrero)
Mon-star Modelling: Juan Pablo Sciaccaluga
Boros Robot Design: Pablo Gostanian, Xeppepo (Jorge Herrero), Juan Pablo Sciaccaluga
Boros Robot Animation: Juan Pablo Sciaccaluga
Robot Cars Modelling: Juan Pablo Sciaccaluga, Alex Gostanian, Diego Flores Diapolo
Traditional 2D Animation: Melisa Farina
AE 2D Animation: Pablo Gostanian
City 3D Design: Pablo Gostanian
City Texturing & Lighting: Ezequiel Pini
Control Cabin Design: Diego Flores Diapolo, Santiago Medina, Pablo Gostanian
Room Design: Juan Pablo Sciaccaluga, Santiago Medina
2D Character Design: Juan Molinet
2D Character Animation: Melisa Farina, Sebastian Garcia
Story: 2veinte Team
Story Board: Pablo Gostanian
Post Production: Pablo Gostanian
Music: Hula-Music.com
For more info: 2veinte.com.ar
Follow us: facebook.com/2veinte
Twitter: @2veintestudio
Roberta orders a large package because she just wants someone to talk with -- Team "A Fight Called Tiger" submission to the 2015 Atlanta 48HFP -- with Chelsea Hayes and Jonathon Pawlowski, shot by Kyler Dennis.
Writer/Director: Bryce Colquitt
DP: Kyler Dennis
Editor: Jonathon Pawlowski
Camera Assistant/Set Dressing: Yasmeen Kingsbury-Mezenner
Production/Post Sound: Brian Hardeman and Drew Taylor
Score: Jared Leach
A robot rebels against her family by being unusable.
"Janus" shortfilm directed by Vadir Sottelo. Scifi film about a Robot living with his family.
A paperboy tries to save his father who suffers from lung cancer by trying to print out a new pair of lungs. Unfortunately, he realizes that the printer is running out of paper, and his father, out of time...
I've made this short movie during my 4th years at Supinfocom it took me 6 months.
Hope u'll like it and enjoy it![]()
When Jacob reaches his wit's end, he puts his foot down and forces his genius daughter Annie to clean the room. Little does Jacob know, Annie has an app for that. Actually, she made an app to control her robot she built to clean the room.
Starring
Sarah-Eve Gazitt
David Roundtree
Telisa Steen
Written and Directed by Norman Tumolva
Cinematography by Tracy Nystrom
Sound by James Cashman
Wardrobe and Makeup by Lindi Hagin
Catering by Jesse Tiamson
Script Supervisor Jordan Gazitt
Still Photography by Lily Rockledge
In a toy workshop, a spinning-top brought to life and try to find a friend.
A short film produced as part of our master's studies, Arts et Technologies de l'Image, from Paris 8.
An animated film I produced during my last year of an Undergrad course in animation.
I have worked alone on this project and have been cheering for 7 months.
Everything is done in Flash and edited in Premiere Pro CS6.
This is the second version that I have uploaded in Louis. I have fixed some things in 2D animation that there were things that were lacking.
Louis is a robot.
Corina is a female alien who belongs on a planet called Rigel II. Rigel is a star system, far, far away from planet Earth.
"In the image of his ex girlfriend Annie, the boy has created a robot. However alike they may be, the robot does not have the emotional span he's grasping for."
Short fiction project for Film Narrative 2, Napier University
STICS is a story about a space explorer and his robot companion searching for paradise on an unknown planet. Along their journey they leave behind beacons in the form of sticks, so their crew back at the ship may follow them once paradise is found.
Hanway Lin:
vimeo.com/user16604326
linkedin.com/in/hanwaylin
Post-Human is a scifi proof-of-concept short based on the award-winning and bestselling series of novels by me, David Simpson. Amazingly, filmed over just three hours by a crew of three, the short depicts the opening of Post-Human, drawing back the curtain on the Post-Human world and letting viewers see the world and characters they’ve only been able to imagine previously. You’ll get a taste of a world where everyone is immortal, have onboard mental “mind’s eye” computers, nanotechnology can make your every dream a reality, and thanks to the magnetic targeted fusion implants every post-human has, everyone can fly (and yep, there’s flying in this short!) But there’s a dark side to this brave new world, including the fact that every post-human is monitored from the inside out, and the one artificial superintelligence running the show might be about to make its first big mistake.
The entire crew was only three people, including me, and I was behind the camera at all times. The talent is Madison Smith (Legends of Tomorrow, Supernatural) as James Keats, and Bridget Graham (Pixels, Manhattan Undying, Hemlock Grove) as his wife, Katherine. As a result of the expense of the spectacular location, the entire short had to be filmed in three hours, so we had to be lean and fast. What a rush! (Pun intended).
The concept was to try to replicate what a full-length feature would look and feel like by adapting the opening of Post-Human, right up to what would be the opening credits. Of course, as I was producing the movie myself, we only had a micro-budget, but after researching the indie films here on Vimeo over the last year, I became convinced that we could create a reasonable facsimile of what a big-budget production would look like and hopefully introduce this world to many more people who aren’t necessarily aficionados of scifi exclusively on the Kindle. While the series has been downloaded over a million times since 2012, I’ve always intended for it to be adapted for film, and I’m excited to have, in some small measure, finally succeeded.
Many thanks to Ivan Torrent, an unbelievably talented composer who allows his work to be used for free for non-commercial films. We set the pacing of the opening to his incredible work, and we hope we can expose him to thousands of new listeners through our movie.
Also, a huge thank you to Michael Eng, who is literally the only visual effects artist to have worked on this film. He did everything CG that you see (and some that you don’t see) and is the reason the effects have such a unified, compelling look.
Thank you to Sanha Cho, my former student and now a film student at NYU for helping us with the cameras during our rushed set ups.
And my biggest thank you has to go to my wife, Jenny, who worked just as hard as I did on this project and deserves a ton of credit. I can’t believe how lucky I am to have a wife that supports my dreams like this. Jenny, you are the BEST! I love you!
And for you, the Vimeo community, a huge thank you! If I hadn’t seen such incredible films on here, done with micro budgets and affordable but powerful cameras, this would have been impossible. A special mention is deserved by Ian Watt, who made beautiful films with a Black Magic Pocket Cinema, a Glidecam HD4000, a Metabones Speedbooster, some nice filters and a Rokinon 16mm f/2.0 lens. We ended up opting for the Sigma 18-35 mm, but we basically had the same set up. Add a couple of tripods and a slider, and you’ve got what you need to make a great short film! We also used a Zoom audio recorder and a Rhode mic, and we edited the film in Final Cut and the sound in Adobe Audition. The colour correction was done in DaVinci Resolve. And yes, we did it all! Everything in post was done by Jenny, myself, and Michael. We even bought a second-hand Makerbot and 3D printed the original design for James' helmet! It was a heck of a lot of work, but it was a labor of love and we’re very proud of it. I hope you’ll enjoy it too, and if you feel like being extra awesome, please share what we did or leave a positive comment to help us get a feature film off the ground.
And a huge thank you to the growing Post-Human tribe of readers, who’ve made attempting something like this possible by supporting the series online so enthusiastically and making my dream of becoming a professional novelist a reality!
Filmconvert:
KD 5207 Vis3
Film Color: 49
Curve: 54.2
Grain: 25
Size: 35mm Full Frame
CREDITS
Written & Directed by David Simpson
"The River is Moving" is a short story about redemption. The movie is set in contemporary Denver, CO, where humans and robots co-exist. A male robot lives a solitary life seeking his place in society.
The music of John Common has always had a cinematic quality. Fittingly, his new EP’s four-minute title track has inspired a short film by Brazilian director Gio Toninelo, a tale of underworld salvation with shades of Spike Jonze's "I'm Here".
Imprisoned inside its packaging and stuck on a toy shop shelf, a lonely radio-controlled toy truck uses its imagination to go on an adventure and find its happy place.
Happy Place is another passion project made solely by us - we hope you enjoy it!
Produced, directed, shot and cut by Sharp & Jenkins (sharpandjenkins.com)
Toys by Maisto (maisto.com)
Sharp & Jenkins represented by Nexus (nexusproductions.com)
Retrofit is set in the near future when death is simply a new beginning; for those who can afford it. Dylan, driven by his need for reconciliation, brings his father back from the dead, and houses him in a shabby utility robot ‘acquired’ from the black market. Having proceeded without his father's consent, the two must come to terms with their situations.
The film was produced with the collaboration of various visual effects artists primarily focused in the UK.
The RESTORER
From a lightning stroke at metal recycling plant comes to life
"White robot" - the dangerous military mechanism ...
All its weapon doesn't work, except the stun gun.
Now he looks for the engineer - the restorer.
He demands repair.
It not stop. ))))))
...
Original music - the creative band "Katushka"
РЕСТАВРАТОР
От удара молнии на мусороперерабатывающем заводе в куче железного хлама "оживает"
невесть как там оказавшийся белый боевой робот. Теперь он ищет инженера - Реставратора,
чтобы тот привёл его системы в порядок.
По пути к своей цели Робот не стесняется в средствах; пусть из всего интегрированного
в корпус оружия у него остался только парализующий шокер, да и тот работает всего
лишь на 40% от мощности, заявленной производителем...
Он будет без устали искать своего Реставратора...
Его не остановить.![]()